Monday, March 30, 2009
Representatin of 15-20 year olds in Tv Drama
The third series of Skins draws on exactly the same steretypes. Although the characters are often shown in college, they are never doing any form of school work. Their lives seems to consist soley of parties, drugs, and sex. An interesting representation of the youth today.
(emedding disabled, click here)
This clip of Cook begins with a very fast montage of him getting ready, which corresponds with his 'full of life character' and someone who can't stay in one place for a long time. The clip shows his arrogance, agreeing with the representation of the youth of today 'not caring' about others. He's always drinking, shots, pints, he takes drugs, and these are stereotypical things associated with the 'reckless' youth of today.
Hollyoaks
This clip has always disabled the embedding, grr, but click here for the link
The relevent bit starts at 1.17 - Hannah's in hospital suffering from anorexia. This illness is a stereotype illness for young girls, aged around 15 to have, and Hollyoaks used this. The clip focuses on how it causes splits in the family and the fact that many sufferers don't really believe they have a problem. Again, this is a fairly negative representation of the youth, as weight is always discussed. We are either obsese, or too thin - there seems to be little middle ground.
However, Waterloo Road is less negative, as many of the young characters are represented as polite and obedient.
embedding diabled, click here
This clip is set in school, so unlike Skins, Waterloo Road represents school life instead of the social life. Most of the students reply and seem polite, 'it's the best room in the school,' really appreciating the effort the teachers have gone to for them. However, there is one student who fits the given stereotype. Rude, arrogant, with the 'I don't care attitude,' who doesn't respect his dad at all. Something adults often associate with the youth.
Friday, March 13, 2009
Location
Vanessa tries to blackmail Blair into being a nicer person, with the pictures of Catherine and Marcus. Blair then seeks revenge by convincing Chuck to try to seduce Vanessa. Lily and Bart throw an extravagant housewarming party and expect their children to make them proud, but Serena does not want to follow the rules. Meanwhile, Dan and Jenny discover a big secret that Nate has been keeping from his friends.
At the beginning of every episode of GG, after every advert break, and after every change of location during the episode, there is a quick montage of shots to help establish the location.
The opening montage of episode five were LS HA's of the sky line of New York, taken from the waters edge, a crane shot over a busy street and inside central park. The trees in the park had golden leaves, which helps establish the time period of autumn.
The emphasis on location really helps establish the wealth of the characters, as the LA shots of their tall rich penthouse apartments draw attention to the types of properties these people own.
In comparison to Serena's flawless new immcuately furnished house is Dan's loft. The differnece in character is also made obvious through their difference of home. The loft is very wooden, with a rustic feel. This suggets they're, quite literally, down to earth (wooden) and this highly reflects their more down to earth characters compared to all others elitism and self importance.
to be continued ...
Wednesday, March 11, 2009
Representation of Terrorism and Ethnicity in SPOOKS
Even children are not spared. When I attended fourth grade in 1981, my teacher called me to the front of the class and asked: "Do your parents say anything bad about the government?" The whole class was staring at me. Stunned and scared, I answered, "No." But when one of my classmates said in passing that Iran was not so bad, she disappeared the next day, along with her family.
Friday, March 6, 2009
Narrative in Tv Drama
Narrative Conventions:
Beginning - couple happy, in love, it's her birthday - Equilibrium.
Middle - Dilemma - Fiona and Danny held hostage by extremist terrorists wanting their revenge. Main focus is trying to free them - feel a connection to the characters, they're in love, audience wish to see them back together.
Ending - Equilibrium is restored, but things will never be how they were - Danny died, the trauma of the experience etc.
Most stories end happily to please the audience. Tv is generally watched for enjoyment and watching greatly moving stories with sad endings can be distressing . Although sad endings are good once in a while, especially in One off true story dramas (such as A Weekend in Switzerland), happy endings are much preferred on the whole as they have the feel good factor, provide relief for the audience who really feel for the characters and meet audience expectations. Much tv is watched for escapism, a release from everyday life and for relaxation. Ending a tv drama on a distressing note reminds the viewer of the harshness of reality, and does not improve their mood or allow them to escapre their reality.
It's important to establish the standard way of living, the equilibrium, before the disruption, because this allows the viewer to understand what is being threatened by the dilema. In Spooks, the viewer understands that the couple are deeply in love, they're young, they have so much to live for and all this is put in jeopardy by the terrorists. Dramatic Irony is used, the viewer knows something the characters do not, they're being watched from the outside, and this heightens the tension and suspence as the audience is hooked to find out what will happen next.
The audience is automatically encouraged to take sides, this young couple are young in love, members of the mi5 secretly fighting crime, the audience feels sympathy for them, they have done nothing wrong. This is binary opposition, good against bad.
However, in this episode of spooks this is somewhat blurred, because the terrorists blame the couple for Western activity in the East, though this is not directly thier fault. Also, the woman terrorist is not bad, she has been drawn into the situation and can't seem to find a way out of it. So although, primarily it's good between bad, it's more complicated due to the intentions and situation of the characters.
Friday, February 27, 2009
Costume! S02 E05
Fashion Week is here!!!Blair is furious with her mother for giving Serena and her new socialite friend, Poppy Lifton, front row seats to the Eleanor Waldorf show. Hurt by both Serena and her mother, Blair decides to sabotage the show.Meanwhile, Dan starts hanging out with Chuck, but he quickly learns that the dark side has its risks. Lily learns a secret that her new husband, Bart has been keeping from her.
COSTUME - CHUCK COMPARED TO DAN
Dan is wearing khaki greens and greys - this suggests a laid back attitude; someone not too bothered about how they dress. His hoody agrees with this, he is a comfortable, practical dresser not too greatly troubled by fashion or driven by their looks. The checkered Shirt is also very casual and laid back. An almost geeky appearance.
Compared to
The difference between the characters is made so clear through the costume. Chuck's formal suit equipped with silk tie in the pocket suggests immense wealth and self importance. He wants to be looked at, unlike Dan who is happy to blend into the background with what he wears. Chuck wants to give the impression that he has a lot of money and he does this by buying silk suits with huge collars and old fashioned ties. He wants to impress people and his clothes definately make this possible.
The difference in costume between the two characters shows:
- their difference in wealth (Dan='poor' compared to Chuck, the multi millionaire)
- their difference in attitude (Dan=laid back, Chuck=eager to impress ... women)
- Chuck makes statements with his clothes, Dan does not.
- Chuck is more image driven, cares about what people think, aims to impress.
Serena:
Her dress is elegant and feminine. She is very attractive and doesn't need to work too hard to look good, so a simple plain dress suits her well. The dress is clearly expensive, a designer dress and well made which reinforces her wealth and her links to the fashion industry. Her hair is loose and tousled, which suggests a relaxed approach about her appearance and also confidence. She doesn't need to preen herself greatly to look good. Her make up is also unobtrusive, she oozes self confidence with this seemingly effortless look.
Blairs image is a lot less relaxed, her costume has a lot more straight lines and is seemingly more thought through. Her hair is expertly curled, not loosely tousled like Serena's - which links in with her more uptight personality. Her dress is very classically feminine, almost over the top with lacey patterns and lacey tights with lots of jewelery - a 'girly girl'. She is also clearly very rich, and her expensive clothes exemplify this.
Wednesday, February 25, 2009
GG, S02 E04 - Representation
Episode Summary: Blair and her 'Posse' interview different girls to decide whether or not they would be inducted into their 'clique'. Dan bumps into new student Amanda and they form an instant bond however, Blair and her 'posse' attempt to sabotage Dan and Amanda's friendship by inducting her as the new girl in their 'clique' meanwhile, Serena meets a new lust interest and Vanessa meets with the Duchess
Rich teenagers are being represented, as the setting is an American private school. It is a classic example of youth school culture (predominantly American) - someone extremely popular having the ability and power to control other students around her. A representation of Social hierarchies within schools.
Costume: Dan is at a private school, and his school uniform reflects this as in most state American schools, a uniform is not worn. He's well kept, but slightly casual with the top button not done up, shirt untucked and the shoulder canvas bag, but other than that quite a 'geeky' studious appearance. Other students around the playground are dressed in the same uniform. Girls are kilted, it's formal, posh. Some students are more 'rebellious' than Dan with their uniform, the two girls he talks to have flamboyant hair pieces and socks etc, this suggests that they are 'cooler' and more likely to be friends with Serena, the girl he's looking for.
IN STARK CONTRAST
Serena does not wear the uniform religiously. A very short school kilt SO unlike most of the other girl students in the playground, no tights/socks, a tight white t-shirt with a mans tie tied loosely around her neck. She is sexy, confident, and not afraid to the break the rules. Her bag hangs over her arm casually, poised, she wants to be looked at, wants to look good. Her makeup is perfectly applied and her hair looks good. A stereotypical representation of a popular school girl, blond, pretty, not afraid to break the rules, quite 'slutty'/sexy.
Location: outdoor setting, quad, plants, outdoor tables, it is very well kept, Greek style benches suggests wealth, red bricks also suggests wealth and a higher class. Clearly a school, due to the uniform, students with bags milling around, and the corridor and large doors behind Dan as he steps out of the building. There are lanterns on the walls, and high wall to ceiling windows - this is not an ordinary State school, this is well facilitated and well looked after.
Music Music is very important in this clip. The track is Shove it, by Santogold. The main refrain is "We think you're a joke Shove your hope where it don't shine " the lyrics are synchronous - Dan is not liked, everyone is moving away from him because he ridiculed Serena, she is getting her own back by ridding him of popularity/friends. The beat of the music also represents youth culture, it's upbeat, dance like, young, quite 'poppy'. It also fits the pace of the sequence. The texture of the music builds up as Dan's anxiety builds up as he sees people flee from him. It's also parallel to Serena's 'catwalk' like strut towards Dan. She is flaunting herself in front of him, reminding him that he is missing out on, and is wordlessly telling him that he has to pay.
Dialogue: There is very little dialogue in this extract, the story is told through the action. We know Dan is looking for Serena as he questions the girls, but they do not talk to him. They look at him with disgust on their faces, they can not be near him, they move away quickly.
Action: its seemingly insignificant, but this is a HUGE turning point in Gossip Girl. The Bitchy Serena is back. No longer is she the nice one, who went out with Dan- she has reinvented herself and taken Blair's place as Queen bee. None of this is represented through dialogue, it is in Serena's walk, Serena's costume and the look she gives Dan and that SLIGHT shake of the head, that tell us that the 'bitch is back'. She looks at Dan with such distaste, such dislike and power that he seems small and insignificant, even terrified next to her. The slight tilt of the head as she walks away tells us that she has reasserted her power. These girls will follow her where ever she goes. This is a stereotypical representation of American school social statuses - examples being 'the core' in the OC and the film, Meangirls - an 'elitist' group who think themselves above the rest.
Camera Work - movement/ shot types: This clip has some interesting camera movement. The opening reverse track follows Dan's path, ensuring Dan is the focus. The pan of the playground sets the location and allows us to see that everyone in the playground is staring at Dan with distaste. The crane shot then rotates around Dan, and this really emphasises and brings attention to the fact that everyone is trying to get away from him. This shot could also reflect his state of mind, confused at what's going on, angry - not steady and focused. The camera then gets closer and closer towards Dan, starting at a MLS slowly moving forwards while rotating, ending up with a CU. This CU allows us to see his expression and feel sympathy for Dan, he looks annoyed and knows exactly what's going on. The camera then stops rotating on an OTS shot, allowing us to see Serena and her 'gang' strut into the playground. After the encounter with Serena, the camera tracks backwards, as though it's with Serena. This heightens Dan's vulnerability and the LS reveals that he's all alone.
Editing: One of the key editing features of this clip is the slow mo used on Serena's entrance. This almost suggests that time stops for her, she is so important. It also allows the viewer to really see what she's turned into (costume, way she's walking etc). Prolongs the experience. It's also interesting how it cuts back to Dan frequently, this really homes in on his expression. The way he looks her up and down stereotypically suggests that he's checking her out, but in reality he's looking at what she's become. The editing represents Dan as a timid vulnerable character whereas Serena is completely in control, a powerful and dominant character.
Monday, February 23, 2009
GG, S02 E03, Characterisation
Serena and Dan get stuck in a lift and have to talk about their problems, realise their relationship isn't going to work. Chuck LOVES Blair, and they make out during the blackout and Blair's boyfriend ( The Duke ) catches them ... he is very angry and upset, because Blair knew it was Chuck.
Gossip Girl S02 E03
Costume: Silk top, white, suggests innocence, but she is far from that. Could link to the conversation with Serena about sex, she has not had sex with the Duke yet. Her hair is tied back simply, middle parting, very child like and innocent. Contrasts greatly with her personality. This is Blair’s fashion, she is very rich, her mother designs clothes, she is clearly very image driven, perfect make up, perfect hair, perfect clothes, matching bracelets etc. She is a definite ‘girly girl’
Body Language: She seems quite snooty, bitchy, careless, arrogant. She pays no attention to the maid (with suggests her wealth and class, used to being cared for), she snatches the papers from Serena, no thank-you, she is not polite, she thinks herself very important. She is very fake, clearly hiding/masking how she really feels about the Duke – overly smiley when talking about him, it’s very exaggerated. Dialogue: ‘You know he hasn’t pressured me about sex once? … Not …once..” The repetition shows that it bothers her. She might find talking about her feelings difficult; therefore she throws hints for her friends to pick up on it. If Serena noticed, she ignored it.
There is an extremely slow forward track from this LS bringing us closer to both characters. This is not only discrete, but prolongs the viewers attention on the surroundings, which are elegant, expensive and impressive.